A distinctive aspect of art psychotherapy is the use of materials such as drawing, painting, or collage. These offer another way of expressing and exploring experience, particularly where words feel limited or too direct. The process is not about producing a finished piece of art, and there is no expectation of skill or technique. The focus is on the act of making, and on what may begin to emerge through it.

Rather than focusing solely on symptom reduction or practical solutions, psychotherapy sessions with me offer a space in which thoughts, feelings, images, and patterns can be explored over time. It is a way of working that values reflection, imagination, and the gradual unfolding of meaning.

A personal reflection on how astrology and depth psychology meet within the shared language of symbolism, offering new ways to understand psyche, relationship, and meaning.

Patrick Harpur's The Philosopher's Secret Fire explores a forgotten understanding of imagination. Not fantasy or invention, but a living realm where myth, psyche, and world meet. This article reflects on imagination in psychotherapy, creative practice, and the imaginal dimension of reality.

There are certain ideas that seem to sit just beneath the surface of modern life, recognised in fragments, but rarely given their full significance. Imagination is one of them. In Lost Knowledge of the Imagination, Gary Lachman explores how imagination has been misunderstood, marginalised, and often reduced to something trivial or unreal within Western culture. What emerges instead is a very different picture. One in which imagination is not a secondary function of the mind,

There are certain books that feel less like something to be read from beginning to end, and more like something to return to, to open at any page and enter a particular world. Alchemy & Mysticism is one of those. I have returned to this Taschen volume many times. Each encounter offers something slightly different, not only in what is seen, but in how the images seem to work upon the imagination. The Opus as Image What strikes me most in these pages is that even where the mate

An exploration of material becoming living presence in the art object. Jungian analyst Warren Colman explores the formation of archetypes as derived from human engagement with their social and material environment. This is a phenomenological approach which sees psychic life as emergent from embodied action in the world, in contrast to a classical Jungian perspective which would view archetypes as pre-existent, either “inborn” biologically, or metaphysically a priori. As I und