Introduction In late March I took an impromptu trip to Avebury in the English county of Wiltshire. My first experience of this special place came a few years ago when travelling from Swindon to Devizes to see an Eric Ravilious exhibition. This was a new land to me, and I had no real knowledge of the locality. So when the trundling bus, making its way down a small B road, was suddenly in between huge standing stones only a few feet away, I was taken aback and fascinated by thi

Boleskine is a place steeped in local history, as well as more widely known and mysterious associations with the rich tapestry of occultism in Britain during the late 19th and 20th century.

Ithell Colquhoun’s art emerged from a world in which magic, matter and landscape were never entirely separate, and particular places could possess powers and currents of their own.

A personal reflection on how astrology and depth psychology meet within the shared language of symbolism, offering new ways to understand psyche, relationship, and meaning.

Different landscapes in our sense of the world also speak to us differently, and here it serves us to consider the aspect of ‘North’ in Phillips’s work. Made on and of the chalklands of England’s South Downs, then nurtured and moulded in art school in South Wales (where his dissertation for his degree in Fine Art provides us with another clue - ‘Remedy in the Affliction: Beginning with the Wound’) the intervening years have slowly led the artist Northwards.

What struck me most during the workshop, and what I have since revisited in reading his work, is Romanyshyn’s ability to remain faithful to both scholarship and soul. He does not reduce myth to symbol, or psychology to a set of tools or techniques. Instead, he invites us into a relationship with psyche, with image, with story.

What does it mean to listen to the Earth? A reflection on spiritual ecology, ecological grief, reverence and our participation in a living world.

Patrick Harpur's The Philosopher's Secret Fire explores a forgotten understanding of imagination. Not fantasy or invention, but a living realm where myth, psyche, and world meet. This article reflects on imagination in psychotherapy, creative practice, and the imaginal dimension of reality.

Martín Prechtel’s The Smell of Rain on Dust offers a challenging understanding of grief as inseparable from praise, love and our relationship with the living world.

A personal reflection on Alchemy & Mysticism, alchemical imagery, Dürer, Blake, the Splendor Solis, and the connections between art, transformation, and depth psychology.