Always a place I love to visit, British Landscapes: A Sense of Place at Pallant House Gallery brings together work by artists who regard landscape in a variety of ways, but always as more than mere scenery. In this article I will explore work by several artists with whom I feel a connection within my own experience of landscape, making art, and being in the world. Pallant House Gallery, Chichester Landscape as presence Paul Nash Paul Nash, Avebury - Landscape of the Megaliths

What does it mean to play in psychotherapy? And what does it mean to become, especially in adolescence? Two books that have shaped my clinical thinking in profound ways are D.W. Winnicott’s Playing and Reality and Richard Frankel’s The Adolescent Psyche. Though written in different contexts, both works invite us to reconsider how we understand psychological growth, creativity, and transformation. At their heart is a shared concern with something alive in the psyche: the space

Fifty years after James Hillman published Re Visioning Psychology, his work remains vivid, challenging, and creatively alive. This article explores Hillman’s life, ideas, and contributions to archetypal psychology, with reflections on image, soul, dreams, imagination, and the deep ecological and cultural themes that shaped his vision.

What struck me most during the workshop, and what I have since revisited in reading his work, is Romanyshyn’s ability to remain faithful to both scholarship and soul. He does not reduce myth to symbol, or psychology to a set of tools or techniques. Instead, he invites us into a relationship with psyche, with image, with story.

The work of Anselm Kiefer has been an inspiration to my own since I first began to create visual art. This superb exhibition of varied pieces from earlier in his career brought me in touch with the work in a new way, and also evoked memories of a formative encounter with his artwork twenty years previously. Ashmolean Museum, Oxford, England Anselm Keifer — Urd, Werdandi, Suld (Die Nornen), (The Norns), 1981 - Oil on canvas About the exhibition Anselm Kiefer: Early Works at

There are certain books that feel less like something we simply read, and more like something we return to when a particular kind of understanding is needed. Martín Prechtel’s The Smell of Rain on Dust is one of those books. Its central insight is both simple and deeply challenging. That grief, in its fullest sense, cannot be separated from praise. If there is ever to be any real peace on earth, all people need to relearn and reestablish the now diminished and hidden arts of

The condition of this book tells a story, it has lived a life. A sign of its importance to me during the past decade, and no doubt beyond. In Crossing the Unknown Sea, David Whyte is drawing us towards a deeper and lasting shift in how we attend to our inner world of desires and dreams for a life well-lived, face the world and its demands, and truly engage in the conversational nature of reality. Pretending To Be Alive We may do the same work and do it well, but we may do it

The work of James Hillman can feel both compelling and difficult to approach. His writing does not sit easily within conventional ideas of psychology, and often asks something different of the reader. Less a system to be understood, and more a way of seeing to be entered into. This copy of A Blue Fire has been with me for the best part of twenty years. It was one of the first ‘psychology’ books I owned, and it has lived a life. The cover is worn, the pages marked by time and

Carl Jung’s reflections from Bollingen reveal a psyche that is not confined to the individual but flows through nature, ancestry, and the deep roots of life. This expanded post explores Jung’s vision of the interconnectedness of self, soul, and the living world.