Depth psychotherapy explores the deeper and often unconscious dimensions of experience. This article considers how it works, what sessions may involve, and who might be drawn to this reflective approach.

Fifty years after James Hillman published Re Visioning Psychology, his work remains vivid, challenging, and creatively alive. This article explores Hillman’s life, ideas, and contributions to archetypal psychology, with reflections on image, soul, dreams, imagination, and the deep ecological and cultural themes that shaped his vision.

A personal reflection on how astrology and depth psychology meet within the shared language of symbolism, offering new ways to understand psyche, relationship, and meaning.

Different landscapes in our sense of the world also speak to us differently, and here it serves us to consider the aspect of ‘North’ in Phillips’s work. Made on and of the chalklands of England’s South Downs, then nurtured and moulded in art school in South Wales (where his dissertation for his degree in Fine Art provides us with another clue - ‘Remedy in the Affliction: Beginning with the Wound’) the intervening years have slowly led the artist Northwards.

What struck me most during the workshop, and what I have since revisited in reading his work, is Romanyshyn’s ability to remain faithful to both scholarship and soul. He does not reduce myth to symbol, or psychology to a set of tools or techniques. Instead, he invites us into a relationship with psyche, with image, with story.

Patrick Harpur's The Philosopher's Secret Fire explores a forgotten understanding of imagination. Not fantasy or invention, but a living realm where myth, psyche, and world meet. This article reflects on imagination in psychotherapy, creative practice, and the imaginal dimension of reality.

There are certain ideas that seem to sit just beneath the surface of modern life, recognised in fragments, but rarely given their full significance. Imagination is one of them. In Lost Knowledge of the Imagination, Gary Lachman explores how imagination has been misunderstood, marginalised, and often reduced to something trivial or unreal within Western culture. What emerges instead is a very different picture. One in which imagination is not a secondary function of the mind,

A personal reflection on Alchemy & Mysticism, alchemical imagery, Dürer, Blake, the Splendor Solis, and the connections between art, transformation, and depth psychology.

An exploration of material becoming living presence in the art object. Jungian analyst Warren Colman explores the formation of archetypes as derived from human engagement with their social and material environment. This is a phenomenological approach which sees psychic life as emergent from embodied action in the world, in contrast to a classical Jungian perspective which would view archetypes as pre-existent, either “inborn” biologically, or metaphysically a priori. As I und

The work of James Hillman can feel both compelling and difficult to approach. His writing does not sit easily within conventional ideas of psychology, and often asks something different of the reader. Less a system to be understood, and more a way of seeing to be entered into. This copy of A Blue Fire has been with me for the best part of twenty years. It was one of the first ‘psychology’ books I owned, and it has lived a life. The cover is worn, the pages marked by time and

Cecil Collins is an artist I have a great appreciation for. This book documents the thoughts and reflections of many of those who knew him, whether as a collector, curator, student of his unique teaching methods, or through other connections. Collins’ work carries a particular quality that is difficult to define, yet unmistakable when encountered. It speaks from a place that feels both ancient and immediate, personal and universal. Images arise from the fountainhead of human

In the current newsletter I explore strands of my life and art that seem subtly interwoven with Arthur Machen, a writer of mysterious and macabre fiction. Starting his life Caerleon (just outside Newport), in proximity to the Roman ruins, mysterious woodlands of Wentwood, and enchanted landscape of the Usk valley, Machen was deeply moved by the energies of this place. You can read the piece at the 'Writing' page of this website, tapping the image above, or via this link:...