Ithell Colquhoun’s work stands at the crossroads of art, magic, and social reform. Rooted in landscape, myth, and the living intelligence of matter, her paintings and writings speak powerfully to contemporary longings for depth, enchantment, and ecological relationship.

What struck me most during the workshop, and what I have since revisited in reading his work, is Romanyshyn’s ability to remain faithful to both scholarship and soul. He does not reduce myth to symbol, or psychology to a set of tools or techniques. Instead, he invites us into a relationship with psyche, with image, with story.

The work of Anselm Kiefer has been an inspiration to my own since I first began to create visual art. This superb exhibition of varied pieces from earlier in his career brought me in touch with the work in a new way, and also evoked memories of a formative encounter with his artwork twenty years previously. Ashmolean Museum, Oxford, England Anselm Keifer — Urd, Werdandi, Suld (Die Nornen), (The Norns), 1981 - Oil on canvas About the exhibition Anselm Kiefer: Early Works at

Patrick Harpur's The Philosopher's Secret Fire explores a forgotten understanding of imagination. Not fantasy or invention, but a living realm where myth, psyche, and world meet. This article reflects on imagination in psychotherapy, creative practice, and the imaginal dimension of reality.