Different landscapes in our sense of the world also speak to us differently, and here it serves us to consider the aspect of ‘North’ in Phillips’s work. Made on and of the chalklands of England’s South Downs, then nurtured and moulded in art school in South Wales (where his dissertation for his degree in Fine Art provides us with another clue -  ‘Remedy in the Affliction: Beginning with the Wound’) the intervening years have slowly led the artist Northwards.

This year the Scottish Centre for Geopoetics celebrates its 30th anniversary with this edition of Stravaig. I am delighted to have two recent works published in the new edition of their journal Stravaig. There they find themselves in the very good company of artwork, poetry, and essays from members of the Geopoetics community. I joined the organisation following the 2017 conference held on Seil, an island off the west coast of Scotland which is separated from the mainland by

The latest issue of the Scottish Centre For Geopoetics journal is now available online, and includes two new monochrome drawings. These...

Over the past few years I have been a member of the Scottish Centre For Geopoetics, which has proved to be an enriching resource for...

Expressing the Earth - organised by Scottish Centre for Geopoetics, and the University of the Highlands and Islands. The Scottish Centre...