I'm delighted to have this artwork on the RSA walls at the start of this year. One of my personal favourites from the past couple of years. Tap the poster to visit the SSA website. I don't yet have any photos of the framed piece, but I can tell you that an excellent job has been done by Detail Framing Studio, Edinburgh. Image size: 73 x 50 cm Framed size: 85 x 62 x 3 cm (approx) 2024 Available from the exhibition The Society of Scottish Artists Annual Exhibition showcases a

Ithell Colquhoun’s work stands at the crossroads of art, magic, and social reform. Rooted in landscape, myth, and the living intelligence of matter, her paintings and writings speak powerfully to contemporary longings for depth, enchantment, and ecological relationship.

Different landscapes in our sense of the world also speak to us differently, and here it serves us to consider the aspect of ‘North’ in Phillips’s work. Made on and of the chalklands of England’s South Downs, then nurtured and moulded in art school in South Wales (where his dissertation for his degree in Fine Art provides us with another clue -  ‘Remedy in the Affliction: Beginning with the Wound’) the intervening years have slowly led the artist Northwards.

What if the ecological crisis is not only environmental, but spiritual? A therapist and artist reflects on Spiritual Ecology and the sacred call of the Earth.

The work of Anselm Keifer has been an inspiration to my own since I first began to create visual art. This superb exhibition of varied pieces from earlier in his career brought me in touch with the work in a new way, and also evoked memories of perhaps my most significant encounter with an artwork to date. Ashmolean Museum, Oxford, England Anselm Keifer — Urd, Werdandi, Suld (Die Nornen), (The Norns), 1981 - Oil on canvas About the exhibition Anselm Kiefer: Early Works is a